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The theme of this year’s challenge was ‘Broken Lines’.
We had 50 entries and all the quilts were displayed on the Modern group stand of The Quilter's Guild at Festival of Quilts .
The quilts will then be exhibited with ICHF at their Exeter, Farnborough, Glasgow and NEC [Birmingham] shows.
To view all the lovely quilts our members made please click here for a short video

Visitors Choice Winner: Modern Challenge quilts at Festival of Quilts 2023.
I focused on monochrome to emphasise the negative space contrasting black and white, while integrating broken lines as a key feature of the quilt. I used sequences of broken lines with variations in lengths, widths and spacing. Diagonal lines are integrated to add movement. The majority of the lines are pieced, while circles are appliquéd and quilted into the background.

Both Nordic Runes and Celtic Ogham are the earliest form of written script carved into rock. Stones with Ogham writing can be found in Ireland, Scotland, Wales, but rarely England. This quilt shows the words Laugh and Love, written in Ogham. I chose these two words as I feel a marriage needs both love and laughter to last the tests of time. The quilt is machine pieced using commercial fabric. It is both hand and machine quilted (straight line and freehand).

This piece was developed from using the tutor box 'Wonky Crosses' at our Essex Modern Quilters group. Using a variety of low volume whites as a background and scraps of brights for the crosses. These blocks were then joined and cut up and re-joined. Enhanced with hand stitch quilting.

The inspiration behind this quilt is the flow of hot lava through different rock strata and the rocks created by the eruption of a volcano, as seen in Hawaii. The quilt is made from both commercial and hand-dyed fabric, improv pieced. Quilting was both by hand and machine (straight line and freehand).

Using Tula Pink fabrics, I've gone for broken lines with colourful abandon in an unconventional manner.

I've been researching my family tree for many years and my quilt represents my maternal grandfather's descendants. My broken line is the descent of my grandfather's surname. The triangles represent the men in my family, and the circles the women. I used batiks and grunge fabric for the piecing and reverse appliqué.

My inspiration came from Jackie Gering Walk book and what you could do with lines in quilting. I have never attempted this before, so it was a good practice.

My piece is inspired by my childhood love of playing 'retro' computer games with my brothers! This will include a bold and contrasting colour theme and geometric shapes to create a flow of a broken path from the starting point to the gold coin, and not to 'game over!'. I aim for a fun, nostalgic make, using solid cottons and mainly piecing technique. Free motion graffiti style quilting will complement the overall aesthetics of the quilt.

I've been a fan of New York artist Erin Wilson's work for some years. She produces patchworks with tiny pieces and fine inserted lines and has influenced my improv piecing. I use cotton fabrics and like the idea of broken lines where the colour skips when you insert pre-pieced strips.

I enjoy playing with typefaces and I love foundation paper piecing. By using just two fabrics - both commercial cottons - the strides on the letters break up within each character. By changing the thread colour in the simple quilting, I accented the areas of negative space.

Like many people, we were brought up to repair things to save money (and use fewer resources). This was especially important when our daughters were young and they had great faith in our ability to fix things. These broken lines are in a pile waiting for Dad to repair them. I drew out a 'design', but there was a bit of improv piecing to fit the shapes together. Fabrics all used from my stash.

Improv blocks using techniques inspired by workshops with Cindy Grisdela and Brenda Gael Smith. Quilting inspired by workshops with Gill Towell and Christina Cameli. Makower linen texture fabrics. Machine quilted using a walking foot and Aurifil 50 weight thread as described in Walk by Jacqui Gehring. Flange binding.

Minimalist blocks inspired by recent miniature work. Yellow is a neutral. Cotton fabrics including Oakshott shot cottons and commercial prints. Title from the radio while quilting: just got to love Hoagy Carmichael's songs. Matchstick quilted.

I struggled for inspiration for this piece and made a list of lines including washing line, fishing line, train line etc. But none of them really inspired me, so I decided to simply make a modern quilt and break the line across it. Made from plain cotton fabrics and machine quilted.

To celebrate 20 years of the Festival of Quilts, using white on white and bright modern fabrics, I made half square triangles to form the number 20 in a broken form.

As my husband would say 'Aren't those stripes supposed to meet up?' Bless. Well, this quilt wasn't meant to confuse. The busy background fabric contains stripes, broken by simple four-patches and the four-patch stripes are broken by the background fabric. To ease confusion on the eyes and brain, the quilt has been simply machine quilted. All fabrics are cotton.

I kept thinking of broken lines as dashes, and I love all the Inspector Morse/Lewis/Endeavour TV series. So, my broken lines are inspired by the theme music by Barrington Pheloung, represented by the Morse Code dots and dashes. Machine piecing spells out 'Quilt' twice (one upside down to give symmetry/added interest) in lime green and spotty fabric, on a plain silver-grey background. Machine line quilted in my favourite Aurifil thread named 'Celery'.

The inspiration for this quilt came when I was painting a wooden gate black to cover some spray paint. The first few brush strikes only covered the face of the slats, leaving irregular multicoloured stripes in the narrow channels in between. To interpret this effect, I have used a rainbow striped fabric cut lengthwise into narrow strips to highlight different colours. The strips were cut into random lengths and joined with sections of black. The quilting both recalls the lines of the slated gate and hints at the spray-painted shapes now hidden under the black.

Inspired and supported firstly by the fabulous Essex Modern Quilting Group and secondly by Maria Spiller's 'Disappearing Crosses' course, both of which encouraged me to move forward in my Modern Quilting journey.

So often we hear the phrase 'not just now' when a child wants something and thus, we break their trust and faith in us. I am using morse code symbols to spell this out in bright colours and using piecing and appliqué.

Lacking inspiration, I have taken the title literally, and sewn a strip of seven stripes, then broken them up and stitched them back together staggered with the red either side. Then there is the thought involved with the title. A little bit of alliteration is always good, hence seven split strips which could be extended to seven sewn and staggered split strips.

Inspired by the 'Crosscut Blocks' tutorial by Debbie Jaske from 'A Quilter's Table'. Blocks are constructed with an 'X' in a contrasting colour, sewn together and then cut into smaller squares, rearranged and reconstructed. Cotton and linen, machine pieced and quilted.

Here, I interpreted the theme of 'Broken Lines' as much in the improv construction technique as in the design. Following Sherri Lynn Woods 'Score for Strings' and using a limited colour palette, I cut strips, joined, recut and recomposed them. With organic straight-line quilting, I added another layer of almost meeting lines.

Black improv stripes meander up and down this quilt on a white background, using plain black and white-on-white printed cotton. Binding is the same white fabric, overprinted by hand with black stripes created with textured paper straws. Hand quilting is in black and white pearl cotton, which appears and disappears, depending on the background colour.

In April 2023, I signed up for a workshop with Tammy Silvers called 'Pointed Comments' - a mostly improv piecing technique to make beautiful diamonds. I really enjoyed the workshop and the technique, so much so that it was the basis for my challenge piece, although no diamonds! The quilt is entirely pieced using my favourite Kona Solids, matchstick quilting and is faced.

Lines were given as the punishment to pupils for minor rule infringements. When completed and handed in, the teacher simply ripped them up in front of the pupils and then threw them directly in the bin causing resentment. It was designed to break a child's spirit and instil the required behaviour. It failed. In this case the pupil has written 'You have no power over me!' as a form of 'up yours' protest. Therefore, written punishments, physically broken by coloured lines, are symbolic of the destruction of the writing by the teacher. The coloured lines, which are themselves broken by black breaks, add to this. The brave (some may save foolish) anarchic statement at the right hand side indicate the pupil's true feelings. Materials: unbleached calico, home procion dyed cotton percale and a fabric marker pen. Machine pieced. Machine hand quilted.

These two fabrics spoke to me. I love Kaffe Fassett's bold and geometric designs and I have recently discovered Ombré with its beautiful colour gradation. I have never before worked with orange so this has been a revelation - the combination of these two fabrics inspired me to use them for the broken lines challenge. I enjoyed making the skinny strips and I love the way the breaks allow them to 'weave' through and play with the different ombré bands of colour. The light shades stand out on the darker strips and vice versa. The radiating lines of quilting could represent rays of sun and the orange palette reflects the colour of the sun rising at dawn.

I have tried to interpret the style of Ben Nicolson, which spoke to me of broken lines.

I decided to make a simple design with blocks of colour so I played around with some squared paper and coloured pens until I was happy with the design. I used three colours of Kona cotton by Robert Kaufman and a lightly textured white fabric, Thatched, by Robin Pickering. I constructed lines of colour interrupted with white fabric and then inserted these into the white background. I used Aurifil 50 weight for piecing and I quilted with Aurifil 28 weight in matching colours to the fabric. The piece was finished with a flat facing.

A Rokkaku (also known as a Roc) is a traditional six-sided Japanese fighter kite. 2 or more people fight with these kites, the aim is to cut your opponent's kite line and the winner is the last kite flying with the line intact. The quilt shows a 3 person Roc fight where 2 of the lines are broken, as they have been cut by the line attached to the red man's kite. It is made using piecing and machine appliqué with free motion quilting to show the clouds and texture on the grass.

This quilt is chequer board of white and navy with yellow circles and bars. The quilt is machine pieced with hand appliquéd circles and machine quilted with diagonal lines. The edge is finished with a facing, the materials used are all cotton. My inspiration is morse code it is in pattern of dashes and dots, a broken line is a dashed line, so dash dash, dot. My quilt says 'hello smile' each line is one letter.

Inspiration came while teaching cub scouts and Morse code. Thinking that would be interesting to try and make a quilt with a secret coded message. Maths not being my string point, it was a challenge to get my message on 20-inch square. Made with cotton fabric and batting, machine pieced and quilted. My message reads 'In my dream world fabric is free and sewing makes you thin.'

I had this lovely Ombre fabric in my stash for ages and never found the right project for it. Above our dining room door is an old gutter that drips water through the odd gaps. When it rains heavily, I can see the drops falling in different patterns. And sometimes, when the sun comes out and the gutter still leaks, you can see a rainbow through the drips. That's where the idea came from!

The inspiration was a trip to Aviemore that we make frequently. I have taken the colours I saw in April 2023 and put them at the side of the road. The breaks in the road were when I had to stop for a toilet break. The quilting tries to interpret what each colour represents. Backing was chosen because I love red and there was no red on the front. Afterwards, I realised that the mustard flowers match the background on the front. A lucky accident.

I had a jelly roll of Kona solids in bright colours which reminded me of a rainbow. We never see a full rainbow - does that mean it is broken? Made from Kona solids and quilted using decorative stitches with Aurifil thread.

After making a quilt from bright yellow and various tints, tones and shades of red, I saw the offcuts lying on my cutting board and thought they looked like broken tiles. I wondered if they could be put back together to make lines of pinks and reds on a yellow background, but I could only make these haphazard broken lines.

Following Brenda Gael Smith's Dreamline's project, starting in January with fine line dashes, I made a long strip of pink fine line dashes and a small strip of yellow ones and joined them in a log cabin way. This gives the illusion of broken lines in both directions. I added the circles to suggest a vehicle had broken the lines.

I love travelling on any underground! Merkland St subway station is a ghost station on the Glasgow subway system, otherwise known as the clockwork orange. Merkland St opened in 1896 and closed in 1977. I used bella solids for this quilt.

The broken line fabric from my stash was the inspiration for my piece, using fabrics from the colours of the broken lines. Then, by using different widths to make 16 x 5" blocks, I stumbled upon an update of the traditional rail fence block, with a 1/4" binding to frame this piece, it became Broken Rails.

Looking at optical illusions, playing with striped fabric and researching how we see. Investigating the interaction of patterned and plain fabric on the senses. Machine pieced and quilted. Cotton fabric and batting throughout.

Looking at optical illusions, playing with striped fabric and researching how we see. Investigating the interaction of patterned and plain fabric on the eye and senses. Machine pieced and quilted. Cotton fabric and batting throughout.

This is my response to the prompt 'Broken Lines'. I have used inserts of bright colours in a dull background, representing the fact that even the dullest days have some brighter moments. Cotton fabric, Aurifil thread, machine pieced and quilted.

Background in Autumn colours, improv piecing in strips with tree like fabric. This was broken into pieces and joined at an angle to resemble a broken stem or branch. Cotton fabric mostly in single colours and some home dyed. Quilted in lines or interlinked squares pattern.

I wanted to take the Pixie Sticks quilt block a few steps further. This is my first foray into designing my own layout rather than a pattern. I wanted to move away from my normal low volume background and try something new, so chose the grey. Adding orange gives the quilt some zing. Machine pieced and quilted using commercially available fabrics and Aurifil thread.

I was looking out of the window searching for inspiration. I have a walled garden and was thinking the bricks formed a good line pattern. What if there was a crack in the wall? Then the lines would be broken. So, there was my inspiration. I made my bricks one strip at a time and then cut each strip to add black for the crack and then added some extra black to move the middle section down a bit. All machine pieced and quilted to look like bricks.

Inspired by the Jacquie Gering Quilt 'Shattered' in her book, 'Modern Quilting', this quilt resonated with me for the Broken Line challenge and for the emotional journey that 2023 is taking me on. My quilt has asymmetrical borders for negative space; straight and unequal line quilting, using a walking for and with a piped and faced binding creates a modern look. I have used Oakshott fabrics and improv piecing techniques to create the broken lines. The hidden depths of the colours within the Oakshott fabrics may find em a plain fabric convert after all and I have enjoyed the distraction of making this quilt.

This was inspired by a collage I made. I am particularly interested in bisected forms and the negative space thus created speaks. The javelin/billiard cue shape is a recurring theme in many of my collages. I am very fond of playing with scraps and made my 1st till roll quilt whilst recovering from covid. This is my 2nd use of the technique, the main construction technique being foundation piecing.

My inspiration is from being at sea, seeing stormy weather and fragmented rainbows. The inspiration for the technique is from Helen Howes 'Garden in the rain'.

Inspiration for this quilt came from using a map to go on a retreat. My original idea wasn't sitting well. So I had an idea to loosely use the map for my journey home to Yorkshire. The A1 and the M2 have been familiar roads in the past and the M18 crosses from the M1 to the A1 as they are main roads. I have left them slightly wider than I would usually. Skinny strips wouldn't have been as visual for this piece.

After learning why spaghetti usually snaps into 3 pieces, I thought of a brittle mum, keeping everything together until her child requests another serving of 'just pasta on it's own' - and snapping! This quilt was inspired by the many servings of 'just pasta' I have prepared over the tears for my little boy (who is now taller than me!)